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Thirteen classic filmsrecently restored by the major film libraries around the world, will be screened in the original version with subtitles in Italian. Special concessions will be offered to students discounted student ticket 2. The extensive and enthusiastic participation of Venetian spectators in the first edition of Classici fuori Mostra — stated the Director of the Venice International Film Festival Alberto Barbera — held from July 24 th to August 30 th in the open-air Arena at the Giardini della Biennale, satisfied us that there is an audience interested in the film presentations that the Venice Film Festival can offer, even beyond the traditional timespan of the Festival.

It is therefore with a spirit of renewed confidence that we prepare to inaugurate the second edition, which will allow Venetians to enjoy the programme of Venice Classics conceived for the edition of the Venice Film Festivalthen moved to the Il Cinema Ritrovato festival in Bologna due to the restrictions imposed by the pandemic.

With one difference: the screenings will no longer be held in the Giardini, where the Biennale Architettura is currently taking place, but at the Teatro Piccolo Arsenale which has been transformed into a movie theatre for the occasion. Venezia Classici is the section that sincewith increasing success, presents the world premiere screenings at the Venice Film Festival of a selection of the finest film restoration projects completed over the past year by film libraries, cultural institutions and production companies around the world.

The screenings will be held at 9 pm. All the films are in the original language version with Italian subtitles. Throughout the film, he has done nothing but plot increasingly catastrophic schemes and increasingly suffocating coverups, to preserve and perpetuate this untouchable dyad, on which an entire social order seems to balance. In his modest condition, Matsugoro embodies the eternal features of the national character: surly pride, courage, self-denial, loyalty to tradition, respect for the moral code of the time which can lead to self-sacrifice.

Goodfellas is first and foremost a very interesting essay on mafia anthropology, which analyses the habits, behaviour, mentality and material life of a special ethnicity, the Italian-American criminality in Manhattan. Alberto Farassino. I grew tired of this, I could no longer abide real time. I observed from a different standpoint. I thought it was more important to focus on the characters, what was inside the characters, to observe what, of all the things that had happened — the war, the post-war period, the events that were still taking place — what of all this had left its mark on the characters.

Cronaca di un amore is the intimate of a love story in two phases, a probe deep into the soul of these two characters» Michelangelo Antonioni. The eternal story of a young girl who is raped, becomes pregnant and is then abandoned, is agonisingly sad, and the film reveals such inextricable social — and religious — mechanisms that the worst is always sure to come. The young deafmute sacrificed by an ambitious imbecile obviously represents the silence imposed on women and the oppressive weight of the patriarchy. He never succeeded quite so brilliantly again. Alexander Horwath. Serpico is not a new kind of hero.

The man who attempts to buck the system has been a source of fascination ever since the first Greek playwrights questioned the wit and wisdom of some of their gods.

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Serpicohowever, is a new kind of cop film and its title character, beautifully played by Al Pacino, is a new kind of hero to meet pounding a beat». Vincent Canby. The beginning, even if well directed, is a bit boring: once again a Soviet filmmaker masterfully copies a Russian classic. For what reason?

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But it quickly breaks free, the theatre disappears, Tsarist society poses in all its splendour, its rifts, vanities and doubts, and as may well be expected in Chekhov, in the dark forebodings about its transience. That a muzhik can play a piano is a scandalous event, almost a revolution.

But it was only a mechanical piano, The nobility and the bourgeoisie are perfectly balanced between yes and no, between that which denies their very existence and that which — at least for the moment — reassures them, confirming their supremacy».

The consequences of this action were unpredictable. Luciano Castillo. The most unusual thing about Claudine is that it seems to take family life seriously, something that very few films today do. Claudine is not very far removed from a typical TV sitcom, at least stylistically. All of this is true. Based on a true story, by way of a novel by Ryuzo Saki, the film follows Iwao Enokizu Ken Ogata through the course of a day crime spree, beginning with the brutal hammer murder of a utilities repairman filmed in the most harrowing way imaginable: a neutral, Hawksian medium-long shot and ending with the strangulation of his mistress, who offers herself as a willing victim while they are making love.

There is nothing in him but the restless urge to run and destroy; when he finds his own island haven, in the form of the back-street inn where his mistress works, he is compelled to destroy it too. Adults accompanying spectators with impaired mobility holding a disability ID Free admission. For reservations, please contact biglietteria. Tickets and subscriptions can be purchased exclusively online. According to the regulations in force, tickets are strictly personal and non-transferable.

Access is allowed from 8 p. Due to the health and hygiene protocols in place for cultural activities, it is recommended to go to the access control at least 30 minutes before the beginning of the screening and to wear a mask.

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Children under the age of 6 are not admitted to screenings. Starting from August 6,with the exception of children under 12 years old and spectators who are exempt from it, all tickets holders must present an EU Covid Certificate Green Pass or equivalent certificate recognized by the Italian State at the time of admission.

An EU Covid Certificate Green Pass or equivalent certificate is proof that a person has either been vaccinated against Covid, or received the first dose of a vaccine requiring two, or recovered from Covid, or received a negative PCR or rapid antigen test result in the 48 hours. Spectators must present a valid ID together with the certificate. In case of absence of the documentation specified above, it will not be possible to access the hall nor to receive a refund of the tickets purchased. We use cookies and third-party cookies to enhance your experience of our website.

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EN IT. Classici fuori Mostra. Alberto Barbera Director of the Biennale Cinema. The Festival. The line-up. Il programma potrebbe subire variazioni. Digita cosa stai cercando.

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